The US Census Aims for Accuracy - Enlists Christian Peacock to reach the “Hard-to-Reach”

This was a press packet that went out a while ago about my Census 2010 project. This was one of the largest projects I have worked on. You will learn what it takes to produce a large scale multi-language photo shoot

Even for a photographer who specializes in photographing “real people,” Christian Peacock was given a very unusual assignment: find the “Hard-to Reach”


The client, The U.S, Census Bureau, was determined to reach out to groups that have been under-represented in past census counts. This could result in a disproportionate loss of Federal funding.

DraftFCB, the advertising agency of record, was responsible for the broad base awareness campaign and assigned IW Group of Los Angeles the Asian language advertising segment. Christian Peacock Photography was awarded the job of creating the photography because of his expertise photographing “real people talent” that had been central to campaigns for Lilly, Genentech and PG&E.

As a Pacific Rim nation there are many diverse Asian populations. The campaign focused on twelve different groups: Asian Indian, Bengladeshi, Cambodian, Chinese, Filipino, Japanese, Korean, Hmong, Lao, Pakistani, Thai and Vietnamese.


Over 2,300 people auditioned for 360 roles. It tool several months traveling throughout So. California for Peacock and his crew to find a cast of photogenic people that would represent a cross-section of society – infants, grandparents, young lovers, blue collar workers, and business professionals.

Traditional methods for casting do not work when your talent can’t read English nor use a computer. Emails were replaced by outreach to religious organizations, cultural event planners, and community centers. To reach the Hmong and Lao the casting net was thrown out as far as Fresno California where these cultures had immigrated when fleeing their homelands back in the 1970’s.

Christian recalls how some groups were not as responsive as others. “We were not getting the numbers needed for the Pakistani population until Cathy Eng, the casting agent, found out about a Pakistani pop concert. We set up at the concert and did the casting call right there.”


Finding the people is stage one. The next step is directing this diverse cast and getting the shots. Christian Peacock and his producer Connie Conway know how to run a smooth shoot even when twelve different languages are being spoken. The stringent requirements of government approved layouts also had to be accounted for to the degree that one day the creative director, John Lee Wong, was in Washington DC presenting final ads to a Congressional sub-committee rather than on set.

This was a large-scale production and almost the entire 360 member cast had never been at commercial shoot. The goal is to make everybody feel comfortable and relaxed.

Christian needed them to trust him and not get distracted by the crew of assistants, stylists, translators, pet handlers, digital techs, producers, site reps, police and fire marshals. On the census shoots there was always additional family members accompanying the selected talent making for a family reunion mood in the backstage area.


IW Group had created a multi-tiered campaign with the message that completing the census form was a way to help their communities. It was Christian Peacock’s job to take this message and put it into photographic form by having his cast convey pride in participation in the census.

A long shot list was repeated twelve times, switching out for each language group. One layout called for twenty people in one shot. They would be standing by a mailbox proudly holding up a census envelop while Christian made sure that everyone’s face could be seen clearly. There were babies, dogs, children and seniors. Christian juggled all these components and had all twenty people cheering toward the camera.

Getting the talent involved is one reason why Christian is successful with real people.

He encourages curiosity about the process whether it’s a technical question or a young girl’s fascination with the make-up stylist.

When discussing the project Peacock says “I am moved by the basic humanity that gets expressed without language. I saw strangers become family in front of my camera.” The final photos were used all across the USA in Asian communities. For the first time many of these people will feel a part of their new homeland. The census has been done, now is the time for tabulations. These diverse groups will be recognized and weaved into the American fabric.

Back Stage with Saraghina



Capturing the spirit of Fellini was a team effort, which started with a suggestion from Martha Blanchfield of RenegadePR. From there I have shot a number of 1960’s inspired film icons. One of the first projects was a tribute to Federico Fellini characters and vision. Instead of a single image I shot a series of images to tell stories. Here is the oldest story of all – love. How men are fools when in the company of a woman that is more than he can handle. Click on any of the images, and they will take you to my webpage that displays the stories.

I could not have done this project without the fantastic help and contributions of some truly talented and amazing people. There is no one more perfectly cast as the role of Saraghina than Jane Schafgans. Her fabulous hair and outgoing personality was a match made in heaven. My good friend David Weiner as the clown. A role he was destining to play.

Veronica Sjoen from Artist Untied did such an inspired makeup job with her clown face and Saraghina radiance of hair and face. While Heather Sansky, also with Artist Untied, styled the talent with spot on wardrobe and meticulous details. A big thank you has to go to Jon Lucca at Artist Untied for his support and encouragement throughout this project.

http://www.artistuntied.com/

And my very good friend Jody Frost for capturing the spirit of the shoot.

Tea Time with Elhadji




During my filming of Elhadji Koumama demonstrating his lost wax jewelry process he would brew up some of his Tuareg style tea. It's a nice little break to take while the coals are drying out the clay pots that hold the wax. The tea is very strong and we all share from the same two glasses he carries in his bag. Being a nomadic person you only carry a few utensils and shares them among his friends and family.